LOS ANGELES — WHERE LIGHT BECOMES FORM

the
studio.

An open white box filled with various clear and metallic rhinestones of different shapes and sizes, with some gold-colored gems mixed in, on a white surface.

THE PROCESS

one hand.
no shortcuts.

THE ATELIER — LOS ANGELES

every piece that leaves this atelier passes through the same pair of hands. the cutting, the wefting, the finishing — none of it is delegated. the process is not incidental. it is the work itself. when you hold a CheyenneKimora piece, you are holding the accumulated hours of one person's focused attention.

WATCH THE ATELIER AWAKENS →

the materials.

WHAT EVERYTHING BEGINS AS

FROM RAW TO FINISHED

how a piece
becomes itself.

I

the cut

every piece begins as yardage. the crystal mesh is hand-cut to exact measurements — the zig-zag tail, the tassels, the proportions — all decided before a single stitch is placed.

II

the weft

hand-wefted, one pass at a time. the weft determines how the piece moves and how it holds its shape over time. no two pieces weft identically.

III

the finish

edges sealed. tassels set. the metal logo pressed into its place. every finish is checked by hand before the piece is folded and prepared for its box.

IV

the wrap

tissue-lined. ribbon-tied. the box closes. the piece leaves the house the same way it was made — with intention. complimentary shipping, always.

watch the work.

EPISODE 01 →


EPISODE 01

the atelier awakens.

IN PROGRESS

the crystal
garden.

000s

CRYSTALS PLACED BY HAND

3+

YEARS IN PROGRESS

"years in the making. the crystal garden mini skirt is the most ambitious piece this atelier has ever attempted. hand-embellished with thousands of individually placed crystals and delicate beading. it is not for sale. it is the proof of what one hand can do when given enough time."