LOS ANGELES — WHERE LIGHT BECOMES FORM
the
studio.
THE PROCESS
one hand.
no shortcuts.
THE ATELIER — LOS ANGELES
every piece that leaves this atelier passes through the same pair of hands. the cutting, the wefting, the finishing — none of it is delegated. the process is not incidental. it is the work itself. when you hold a CheyenneKimora piece, you are holding the accumulated hours of one person's focused attention.
the materials.
WHAT EVERYTHING BEGINS AS
FROM RAW TO FINISHED
how a piece
becomes itself.
I
the cut
every piece begins as yardage. the crystal mesh is hand-cut to exact measurements — the zig-zag tail, the tassels, the proportions — all decided before a single stitch is placed.
II
the weft
hand-wefted, one pass at a time. the weft determines how the piece moves and how it holds its shape over time. no two pieces weft identically.
III
the finish
edges sealed. tassels set. the metal logo pressed into its place. every finish is checked by hand before the piece is folded and prepared for its box.
IV
the wrap
tissue-lined. ribbon-tied. the box closes. the piece leaves the house the same way it was made — with intention. complimentary shipping, always.
IN PROGRESS
the crystal
garden.
000s
CRYSTALS PLACED BY HAND
3+
YEARS IN PROGRESS
"years in the making. the crystal garden mini skirt is the most ambitious piece this atelier has ever attempted. hand-embellished with thousands of individually placed crystals and delicate beading. it is not for sale. it is the proof of what one hand can do when given enough time."
